Wednesday, November 26, 2025

Vanyel & Vixen

 Vanyel & Vixen

Earlier this year I heard from Betsy Wollheim that I had a new cover to do and that it would be simple because we already knew the two characters that would be on the front.  Mercedes Lackey was in the process of writing a new novel with her hero from "The Last Herald Mage" trilogy, Vanyel Askevron, who teams up with a new character, a healer with the name Vixen.  However, apart from these characters and their horses, there was no other outline.  It's common that successful authors to not have the novel written before the art is needed for publicity.  Misty did send me this picture as the inspiration for Vixen, which I loved.  There's a lot of personality there! 


I immediately decided to return to the design format of the original Herald Mage books, the main question being how to fit two figures with horses in the skinny center rectangle. This is led to my thumbnails


Then to drawings for the sketches.  I really liked both ideas (never submit a sketch you don't like, that'll be the one they'll choose) but the idea of Vixen being able to write while riding on Brownie tickled my imagination. The comic in me then thought of Brownie "helping" Vixen.  Vanyel just has to look beautiful and heroic.
Betsy & Misty both preferred the lower sketch, where a serious Vanyel looks off to the distance and Vixen, picking medicinal herbs, looks perplexedly at her horse Brownie (who is a cob), who is either helping her or eating the said herbs. So I sent off the two color sketches below.


They chose the more normal colors of the lower sketch. Since I wasn't going to be able to show characters or incidents from a story still being written, the black borders were filled with a gold swirling design and shields with a V on it for Valdemar. I devised some monsters for the top, and decided camomile was suitable for the lower design to represent Vixen the healer.  I had picked up a beautifully illustrated book in England long ago called "Hedgerow," which showed many plants used by medieval people as cures, and that was going to be inspiration for the foreground.  Misty herself decided on the shield design for Vixen, camomile and a sword.

Unusually for me, I painted the background first, on a separate board.  This was because it's hard to get black paint to photograph or scan a pure and even black, as I learned from digitally fixing the earlier Vanyel files.  I decided to scan this art and then outline every flower in black in Photoshop, the same way I add gold designs to art now.  The printers used to have trouble lighting and photographing gold paint so eventually I started just doing it digitally.

Here is the pencil drawing on the gessoed illustration board.  You can see I had real trouble getting Vixen's expression just right.


I started out with Brownie and then on to Vixen. I think you can guess I'm mostly working with a size 0-1 size brush.  Whatever's cheap and white.


This is what my draughtsman table looks like. Since I had two people, two horses, herbal plants, and mountains, I had piles and piles of reference for this "simple" cover art. It was a constant rotation of pictures culled from the internet and my scrap files - like 40 pages.


Vixen got her Healer's green outfit on, and Brownie got more personality.  I had to work on Vixen's "suffer no fools gladly" face, while the grass grew.


I forgot to say I'm working in acrylics on gessoed illustration board.  With acrylics I work in thin layer after layer of color, sometimes wiping out a layer, like you can see in the high lit part of Brownie's nose. Vixen and Brownie are picking/eating or helping "lungwort for maladies of the lungs" and the foreground has eyebright, sanicle (for inner hurts), fleabane (to drive away fleas and cure dysentery) and greater stitchwort (for relief of stitches!) Yfandes got colored in and Vanyel's face and hands are started but not dark enough. The characters are supposed to be in their 30s.


Vanyel is more finished.  The english actor Michael Praed was my inspiration back then for the face of Vanyel, and of course, now he's a white haired gentleman.  However on the internet, your photos can keep you young forever. 



Brownie and Yfandes finally get their harness put on, and the background is roughed in, harking back to the very first Valdemar book, "Arrows of the Queen." The acid free rag board is curving quite a lot, but a bit of pressing and drying out will take care of that.



All polished up and ready for it's scan into the computer, I added in the gold design layer, the black background (all of which took tedious hours) and the result is below. I reduced the color in the camomile daisies as they were distracting from the center art. I have a very very old Epson scanner that scans the art in pieces, which I then assemble in Photoshop. It works, which is good because I'm 4 hours away from places that do good art photography. Vanyel looks haunted but heroic, Yfandes intelligent, Vixen is obviously thinking "What the heck, Brownie?" and Brownie is thinking either "Yummy" or "Ima helping, yup, I yam."



Thanks for looking through my old fashioned painting plus digital methods of making a book cover!

I can't wait to read (actually I listen to the recordings of) this book.  The contrast of the characters sound like so much fun. Yay Misty! To be published by DAW Books/Astra Publishing in June of 2026.


Jody A Lee

www.jodylee.org


Thursday, May 12, 2016

Mermaid: Blue Eyes #MerMay

Mermaid: Blue Eyes
Step by Step


To celebrate MerMay I'm putting up my step by step of my oil painting "Mermaid: Blue Eyes."
I'd done several small thumbnails of my idea of doing a portrait of a mermaid, using just her face, hands and hair in a square canvas, before doing the pencil directly onto the canvas board.
I first went over the pencil with a green line in oils
Did the face and skin tones, with greenish shadows
Starting the background
Putting the greens in the kelp
Giving more detail to the kelp fronds and her hair
Finishing the shell and sea life decorating her hair and a pet fish
Framed and sold! at IlluXcon 2014

Jody


Friday, April 29, 2016

Primavera

Primavera

I started this painting last year for IlluXcon 7 but wasn't able to finish it in time.  I started with a graphite drawing on watercolor paper and then sealed it with shellac.  I decided I would try to be fresh and experimental by doing the background first and loosely putting in leaves and greenery.  I added in flowers, birds and butterflies freely, without getting too tied down to realism or design.  It was interesting, a departure from my very planned out cover illustration work.


Jody

Thursday, December 24, 2015

Small Paintings from Illuxcon Part 3

 Mermaid: Peridot

I decided to do another mermaid before I realized how popular mermaids had become with other fantasy artists.  They're everywhere now, and a frequent subject at IlluXcon.  I wondered what color of skin a mermaid would have before I started on the finish.  Would she have a color that camouflaged her from predators in the sea?  Or would Mer-people be the top fish in the ocean?  Maybe her skin is green simply because of the filtered light from above.   The original is 7.5" by 5.25", oils and graphite on shellacked acid free bristol board, mounted with archival boards and materials, and matted to size 11" x 14."






Happy Holidays,

Jody


Thursday, December 17, 2015

Small Paintings from IlluXcon Part 2

The Stars in Her Hair


This small painting for IlluXcon was made from the fuzziest photo I may have ever used for reference.  I was at a convention in Iowa many, many years ago when I took several pictures of a very lovely young girl whose mother was shepherding me, as artist guest, about the con.  I saved those pictures for years and years and only in the last decade did I bring them out and make some drawings and paintings from them.  She had a clear, victorian kind of beauty and so inspired this tiny homage to Dante Gabriel Rosetti's "The Blessed Damozel."
  • The blessed damozel leaned out
  • From the gold bar of Heaven;
  • Her eyes were deeper than the depth
  • Of waters stilled at even;
  • She had three lilies in her hand,
  • And the stars in her hair were seven.
Needless to say she has more stars in her hair than seven, because that amount just didn't look right. The whole effect makes me think of the spirit of sleep and nighttime. Below are the other small paintings I did from this same model.  All 3 little paintings are sold now.

The Pearl Circlet

The Pearl Earring


Jody

Don't let the bedbugs bite



Thursday, December 10, 2015

Small Paintings from IlluXcon Part 1


Cavalier Cat

This started as a small drawing I did while waiting for my child to finish a sports practice.  It was just from a picture on my iPhone of our siberian cat Rumble Roar, nothing very deliberate or with much planning.   After 30+ years doing very meticulous art for book covers, its rather a relief to do little works that will be finished in days instead of weeks.  I expanded it to put him in a cavalier costume, for he is a very even tempered gentlemanly cat, and I have a nice large book of Van Dyck paintings for reference.   I then put a layer of shellac over the graphite to seal the paper and painted the finish in oils.  It's mounted and matted with acid-free papers.


Rumble Roar with his portrait, pre-paint

Matted and mounted for IlluXcon

I'm hoping to do more animals in costume.  That was a lot of fun, especially learning how to make that silk effect on his doublet.


Jody

Me, feeling a bit poked at this season.











Friday, December 4, 2015

Holiday Handmade Cavalcade Tomorrow

Holiday Handmade Cavalcade
Saturday December 5th
One last post before the fair!  These fresh and modern botanicals will be available as originals, prints, and letter size cards.  They were a lot of fun to do, a nice change of pace from my fantasy work.  Next week, a post about the small works I did for IlluXcon.




www.handmadecavalcade.com

Jody